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Joseph was the second youngest of 11 brothers and his father spent more time with him because of it. Joseph Cast by His Brethren into the Well, Joseph Sold to the Merchants, The merchants delivering Joseph to the pharaoh, Joseph Interpreting the Pharaoh’s dream, The Pharaoh Paying him Honour, Jacob Sends His Sons to Egypt and Joseph Recognizes His Brothers and Returns Home. Relations between the senior Medici branch and the younger “Popolani” branch had been tense since the 1440s, and Pierfrancesco had tried to shield his sons from the influence of the senior branch. 1395 – 23 September 1440) was an Italian banker of the House of Medici of Florence, the younger brother of Cosimo de’ Medici the Elder and progenitor of the so-called “Popolani” (“populist, i.e. for the people”) line of the family, named for a later generation whose members were supporters of the Florentine political activist Girolamo Savonarola. Popolani line. Ginevra Cavalcanti was an aunt of the wife of the famous Italian merchant Giovanni Arnolfini. Built in 1582 to commemorate the victory of Lepanto, contained paintings by Tintoretto, Palma the Younger, Titian (The Assassination of Saint Peter Martyr) and Giovanni Bellini, among others, but they were destroyed in a fire in 1867 attributed to anti-Catholic arsonists.

The Christ Walking on Water panel displays Jesus standing on water and the disciples at sea while Peter is drowning. The work is executed in tempera and gold on a wood panel and its size is that of a typical anconetta, or small altarpiece. Together with Niccolò di Pietro Gerini, Lorenzo painted some frescoes in the Chapterhouse of the convent of San Francesco (Prato) and the panel Coronation of the Virgin, once in Santa Felicita. In 1401 Lorenzo collaborated with his mentor, Gerini, and friend Spinello Aretino on an altarpiece entitled Coronation of the Virgin for Saint Felicita in Florence. From this period, among others, can be mentioned the Tabernacle with the Madonna, Child and Saints, at the Pinacoteca di Siena, and the beautiful Oration in the Garden of the Galleria dell’Accademia, in Florence. Giovanni Lorenzo Bertolotti (1640-1721) was an Italian painter of the Baroque period, active in Genoa. Bartolomeo di Giovanni di Domenico (1458? – 1501) was an Italian Renaissance painter active in Florence. His works were first identified by the art historian Bernard Berenson, who did not know the painter’s real name so called him the “Alunno di Domenico” (i.e., “student of Domenico Ghirlandaio”).

He and his workshop mostly produced second tier works such as cassone panels and desci da parto (birth trays) for Florence, but larger works for churches in the country. The Gates of Paradise had ten panels with several episodes from a particular story from the Old Testament portrayed on each of them. Vasari suggests that Giovanni di Bicci de’ Medici commissioned Lorenzo to paint the hall of the old house of the Medici family. Giovanni Rucellai was born on 20 October 1475 in Florence, the fourth son of Bernardo Rucellai and Nannina de’ Medici, sister of Lorenzo the Magnificent. Giovanni was the son of Cosimo de’ Medici the Elder and Contessina de’ Bardi, and brother to Piero the Gouty. However, during the 19th century San Giovanni Evangelista was one of the ones re-constituted. Giovanni Lorenzo Lulier (c. Lorenzo il Magnifico may have commissioned Sandro Botticelli’s Pallas Athene Taming a Centaur as a wedding gift to the new couple, presumably suggesting that Semiramide (represented by Pallas) should endeavour to “tame” young Lorenzo di Pierfrancesco (represented by centaur) (or more metaphorically, the surrender of brute instincts to the goddess of reason, a reference to Lorenzo di Pierfrancesco’s entrance to manhood).

He was the first Roman Catholic priest to be appointed to the faculty, and he was also the first to have been raised a Jew. Only two pieces are signed, a statuette of Orpheus in Vienna, and the Mehmet medal, but by the Frick exhibition in 2019, the first to be dedicated to him, 24 objects were attributed to him, some in wood and plaster. The atrium building is two stories high while behind this is the much larger three-story building which contains the large halls. A further chapel is dedicated to the Sacred Heart of the Agonizing Jesus, and contains a portrait of Pope Leo XIII proclaiming the statutes of the Pious Union of the Sacred Heart of Jesus by the chapel’s 19th century architect Vincenzo De Rossi Re. The altarpiece is the Last Supper by Vincenzo Berrettini. This page was last edited on 21 February 2024, at 17:16 (UTC). This page was last edited on 12 March 2024, at 16:55 (UTC). 9 March 1959) is a German-Italian journalist. Rome: Istituto della Enciclopedia Italiana. Rome: Istituto dell’Enciclopedia Italiana.

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